“Mirror” Credits

“Mirror” at Amazon

Mirror DVD Collection DVD Jeff Bridges Book

The Mirror Has Two Faces

Opened November 1996

Mirror poster

"I like to make films that make people feel," Barbra Streisand said. "I like to make films about positive transformations."

For The Mirror Has Two Faces, Barbra's sixteenth film (and third as director), she concentrated on the nature of beauty, mother-daughter relationships, and love. "I'm always making these movies that have sad endings," Barbra stated. "And I thought, No, it's about time to dance in the streets."

Streisand had a reading of The Mirror Has Two Faces at her home with actors, but put the script aside, feeling it needed more work. She was committed to filming Larry Kramer's play, The Normal Heart, about the early days of the Gay Men's Health Crisis when AIDS was rampant in the homosexual community. "I was very upset that we couldn't get [The Normal Heart] financed," Streisand said. "I had wanted certain actors to be in it — one said he would do it, but the schedule was off. It was at a time when I had just bought my new house and was trying to design it. I didn't want to be here for construction, so I thought, I'm going to do The Mirror Has Two Faces!"

Streisand editing Mirror

“Mirror” Trivia

Streisand and Bacall photos

Photos by Jeff Bridges from the 'Mirror' Set

Jeff Bridges shot these photos with a Widelux, a camera without a shutter or viewfinder that captures panoramic images (about the same aspect as a widescreen film).

Jeff Bridges set shots Photos by Jeff Bridges

The Alternate 'Mirror' Song

Mirror CD

Barbra included an alternate version of the "love theme" on The Mirror Has Two Faces soundtrack album titled “All of My Life”. However, there was another alternate version that remains unreleased! It's called “It Doesn't Get Better Than This” and featured the same love theme, but in a more upbeat song. Ultimately, the Bryan Adams duet was used.

Hear a sample of “It Doesn't Get Better Than This”:

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About the song, Barbra told the press: "I had written a love theme, and the Bergmans started a lyric based on the theme, although we didn't complete how the theme integrated with the bridge ... It was very difficult musically, because when you play something orchestrally, you can do all sorts of wonderful keys, but when the voice has to sing it, it changes that pattern. Then, I asked my friend David Foster, who produced a lot of records for me, 'Please, please, please become involved.' He had one week, a five-day period that he could give me time. And he came to Sony one night, and we just played around—asked five of my favorite musicians who were playing on the score to hang around and we kind of had a jam session and made this track. I was humming the words, because we only had some of the words. And David recommended what about singing the duet with Bryan Adams. So, I sent him this track, and he fell in love with my little theme and around this theme. And that's how it happened. He's a doll. Talk about a perfectionist!"

END.

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